Just like many nerdy New Yorkers, I spend a fair amount of time at the Metropolitan Museum of Art. There are so many beautiful things to see and histories to learn there. Anyway, since apparently I cannot stop thinking about Jewish food at any point, I decided to spot some Jewish ties with various objects throughout the museum on a recent visit. Many of the things we consider “high art” today once had functional purposes – especially the ceramic, metal, and glass ware we now peer at through glass protective cases. These functions were, of course, largely for the upper crust of society – and in this case I will be generally referring to wealthier Jews. It should be noted that we do find plenty of “ordinary people” pottery and cookware in archaeological sites – they just do not make the vaunted cases of the world’s great museums.
Let us go take a look.
Brass ewer for wine or sherbets, 13th-century Iran
The object: A brass ewer with detailed mural-like inlays of silver and other compounds. The complex design includes medallion vines with rabbit heads, zodiacs with the planets, and harpies and astrological imagery. All of these were considered highly auspicious in the context of 13th-century Iran, and may be considered akin to similar decorative work on Kiddush cups today. (Jews, too, are superstitious.)
The Jewishness: Ewers and jugs like this would have been used for ritual purposes in many wealthier homes – especially for Kiddush wine. In addition, silver and silverwork was commonly a Jewish industry in many cities.
Iznik plates, Ottoman Empire, 16th century
The objects: A circular stonepaste plate with a colorful pattern of flowers and birds. The plate was made in the late 16th century in Iznik, which was the center of the Ottoman pottery industry. Iznik ware was popular across the empire and abroad, and was influenced by prior Arab and Persian practices, as well as Chinese porcelain traded along the Silk Road.
The Jewishness: Iznik had a thriving Jewish community in the Ottoman Empire, many of whom would have traded these wares to other centers in Thessaloniki, Izmir, and abroad. Later, plates like this would become a “template” for early Zionists to use for serving “new Israeli cuisine.”
Porcelain teapots from China and Japan, and the German, English, French, and Dutch factories that imitated them, 18th century
The objects: This display compares imported Chinese and Japanese teapots with the European factories that imitated them in the 18th century. Porcelain was a luxury good, and the method for making it was originally invented in China during the Han Dynasty (206 BCE-220 CE), and a significant industry developed in modern-day Jiangxi province during the Song (960-1279 CE) and Ming (1368-1644) Dynasties. The technique spread to Korea in the medieval era and then to Japan in the 17th century. From there, the Dutch East India Company took porcelain wares back to Europe, where they met incredible demand from the élite of the day. A decades-long process began to establish porcelain manufacture in Europe, which was finally started in Meissen in Saxony in 1710. From there, porcelain spread across Europe – though it was still heavily imported from China and Japan as well. In this age, European élites underwent both a culinary revolution and an aesthetic one. First, they began to drink tea – newly imported in the 17th century – in larger quantities. In addition, Orientalism took hold as Europeans sought to imitate a rather paternalistic fantasy of “the East.” As a result, European factories plagiarized or imitated Chinese and Japanese imports to meet this dual demand.
The Jewishness: Tea is consumed traditionally in dozens of Jewish communities, and the consumption of tea greatly expanded in the 17th century among Russian and Sephardi Jews. Jewish communities in Uzbekistan and Georgia were involved in the Silk Road trade and many Jews in maritime and overland trade with Asia, including that of porcelain.
French porcelain partial tea service used in 18th-century America
The object: This is a beautifully decorated porcelain teapot, cup, and saucer, from an 18th-century French factory, with a gold-and-back floral theme sparsely laid on a white background. Such examples come from the aforementioned European porcelain industry, which moved from “Chinoiserie” Orientalist designs to more localized European examples through the 18th century. These pieces are examples of the latter. This particular group belonged to the Loyalist Verplanck family in New York in the late 18th century, who was given the full tea service by the British commander of forces in New York, Sir William Howe.
The Jewishness: As mentioned above, tea consumption spiked in the 17th century among Jewish communities. By the 18th century, a small minority of Jews was wealthy enough to drink tea like the Christian élites they partly assimilated into. This sort of tea service would easily have appeared at the table of the Nathans or other wealthy Jewish families in 18th-century New York.
Pennsylvania Redware, 18th century
The objects: German immigrants in 18th-century Pennsylvania began manufacturing practical ceramic wares from local red clay found throughout southeastern Pennsylvania, which soon gave rise to a local style now known as “Pennsylvania Redware.” These plates, bowls, and cups often utilized a technique known elsewhere as sgraffito, which involves scratching through one level of clay slip to reveal a lower level of slip. The ceramics were largely made for a local American market, which was readily receptive. Though these plates are from the 18th century, the industry’s golden age was in the early 19th century after American independence.
The Jewishness: The same wealthy families that might have owned the French tea service would have easily possessed some Pennsylvania Redware for everyday use – and middle-class families may have served their Shabbat and weekday meals on plates like these as well.
Spanish inlaid plates and bowls, 14th century
The objects: Inlaid plates and bowls with decorative patterns from Southern Spain in the 14th century, when the region was still under Almohad rule. The style of pottery is now known as Hispano-Moresque, and utilizes detailed patterning, tin glazes, and often a metallic after-glaze. In its era it was already a luxury good, and these wares influenced Italian styles that later became known as maiolica in the 16th century.
The Jewishness: The 14th century was the Golden Age of Spanish Jewry – and not only were some Spanish Jews wealthy enough to have owned such plates and bowls, but many more were involved in the production of such wares. Pottery and ceramics have been a Jewish industry since ancient times, and medieval Spain was no exception.
Farissol Haggadah, 16th century
The object: This is an incredible illuminated Haggadah from 15th-century Italy. The order of the Passover (Pesakh) Seder ritual is not only written, but accompanied by gilded and painted images from the story of the Exodus and of the Passover ritual foods. The margins also contain micrographic illustrations.
The Jewishness is obvious.
Images all mine, July 2017, unless otherwise noted.